Wednesday, June 06, 2007
My eCoach
My eCoach offers collaboration, communication, curriculum, and coaching tools for a one-time fee of $35 to set up the account. A team leader can set up teams for $200. This version of my portfolio was created using the Universal [Web Page] Builder. I set the setting so that every page in this portfolio will allow comments, which provides the opportunity for interactivity/feedback.
My general impression is that this tool is relatively easy to use, although it took me a few tries to select the right template. It created an attractive layout, although limited to 800 pixels wide, to accommodate older computers and projectors. This caused a problem with one of the images that I uploaded, which they fixed. The system allows 100 MB of online storage, so I uploaded a video version of my last portfolio.
This is a flexible tool that allows for cloning pages, for others to leave comments, and coaching support from an eCoach. Users can create multiple tabs as categories with multiple pages under each category. Each page has a text editor that allows users to add text, images, videos, audio files, podcasts, documents, presentations, and most types of files.
Sunday, June 03, 2007
PowerPoint & LecShare Pro
Saturday, June 02, 2007
Passion and Future ePortfolios
That reminded me of a statement made by Thomas Friedman in The World is Flat: CQ + PQ > IQ (Curiosity plus Passion is greater than IQ) in the learning process. As I look at my work on ePortfolios, I feel a real disconnect between my vision of the ePortfolio as a way to document the story of deep learning, and the pervasive implementation of ePortfolios as a source of data for accountability and accreditation. As I quoted Hartnell-Young and Morriss in an earlier blog entry, portfolios created for this purpose "tend to be heavy with documentation but light on passion."
As I wrap up my current study on ePortfolios in secondary education, I know what I want to study next: this issue of passion, or framed a little less suggestively, excitement, flow and engagement. When I talked with students last year, I heard more excitement in the students' voices when they talked about their use of MySpace than their use of the academic tools. If part of the problem in education today is that many students are bored and see no relevance in schools, I want to find examples of where students are excited about learning, using ePortfolios as a way to demonstrate that excitement for learning. Maybe those places are few and far between, but if we are going to change education, we need to change the way students document their own learning. My passion for the last decade (or more) has been ePortfolios, and the related processes that enrich the experience (reflection, digital storytelling). I realize that I have changed my vision from the early days, when I was more focused on assessment and standards-based portfolios. Today, especially due to my travels around the English-speaking world, talking to primarily educators at ePortfolio conferences, my vision has broadened to a more lifelong, life wide perspective. ePortfolios aren't just for schools... in fact schooling may be ruining the experience for a lot of learners. I hope that we can find the passion again in documenting, and better yet, celebrating learning within a worldwide community. That is a future worth working toward.
Friday, June 01, 2007
Digital Preservation of ePortfolios
I've recently become interested in the durability of ePortfolios -- as I describe in this piece here (ePortfolios, Durability, and the Black Binder Test). I was wondering if you've heard of any attempts to decouple the interface and presentation of ePortfolios from the storage of the artifacts (and optionally the reflections) -- say through using Amazon S3 or some other 3rd party space that could be truly owned by the student or faculty member regardless of where they wind up. Is anyone moving in this direction?My first e-portfolio was created in 1997 (10 years ago), using Adobe Acrobat and pressed to a CD. I still have a copy of that portfolio (on my hard drive) and I assume the original would be readable, if I could find the CD. Most of the systems that you mentioned in your blog entry all allow exporting the portfolio into an HTML archive that can be stored on any online system that the learner "owns". So the solution to the problem that you pose is to store these portfolios in an online system. The challenge is finding systems that will be around for a while. I pay an annual fee for my online storage, and I am exploring GoogleApps. Yahoo is too small for portfolios, and I don't know if I should trust some of the online storage systems like box.net. There are other free systems out there, like ourmedia.org, but I don't think they handle entire HTML archives.
I think if portfolios are stored in HTML (ASCII text) or PDF formats, those are the two formats approved by the Library of Congress for digital preservation. There are other issues for preserving audio and video, but WWW-compatible universal formats should be safe for the next ten years. The next step would be XML formats, which the European ePortfolio community is trying to address. There are also now IMS ePortfolio standards, but I'm not sure that the commercial providers in the U.S. all conform to that standard. But virtually all of them allow exporting a portfolio to disk archive.
You can look at my study of online portfolios (I am up to 25 versions of my portfolio). If I was able to download a copy, I posted it on my web server and created a link to it. You will also notice that all of my artifacts are web links to artifacts that are posted on one of my web servers. So, I am modeling the concept of "lifetime personal web space" which Cohn & Hibbits advocated in their 2004 Educause article. The issue of digital preservation is real, but has been solved, at least in the short term (10 years). The real question becomes whether these portfolios can last as long as their paper versions (50+ years).
This is not just an issue with ePortfolios. What about all of the digital photographs and other digital documents that we collect? Some historians are concerned that we may have a "hole in history" because so much of our data is now stored in digital formats, which are one hard drive crash away from extinction. So, backing up our data to online servers becomes more critical. I try to model that process, but at a cost. I hope I have instilled those same values in my children. Of course, I wrote in an earlier blog entry about the tragedy of New Orleans and the loss of memories and physical memorabilia that happens in these type of disasters. So, establishing digital archives online becomes even more important.
Tuesday, May 29, 2007
LecShare Pro
I am very impressed with the output of this LecShare Pro software. The quality of the video is very good, and the process is much easier than using the other strategies that I have tried.
Thursday, May 24, 2007
Slide-to-Video Software so far
- GarageBand's Podcast track -- works well, if you export PowerPoint to individual JPEGS (changing format to square image), import them one-by-one onto the Podcast track. The quality of video is marginal.
- iMovie -- works very well, but not efficient -- you also have to export PowerPoint to individual JPEGS, and then adjust length of each slide to match audio on timeline.
- PowerPoint's export to video -- which does not synchronize audio with slides unless you embed individual audio clips on each slide... then it works very well, but not very efficient. And the files are huge
- Keynote's export to QuickTime -- same issue as PowerPoint (embed audio in each slide), but much slower process and QuickTime clip doesn't have controller at the bottom (not sure if there is a setting I am missing)
- ProfCast -- which only allows live recording ($30) which might work for some, but I like to edit my iPod recordings before adding the slides.
- LecShare Pro -- which is the most promising so far, but slow and quirky - it works with PowerPoint, saves its coding into the PowerPoint file or the audio file. That tool also lets you convert these slide shows to accessible HTML and uses both pre-recorded audio or lets you record directly in the program for each slide.
Wednesday, May 23, 2007
Convert narrated slide shows
Earlier this month, I presented a closing keynote address to a conference in Finland while I was on a cruise (I sent them a DVD with the keynote presentation, and called them from the cruise ship for Q&A after the presentation was over). Since the keynote contained many examples of digital stories, I recorded the audio with SoundStudio and used iMovie to put together the video, inserting full DV versions of each story in between my slides (converted to JPEG) with audio narration inserted. I was pleased with the quality of the videos, although I thought the slides were grainy.
I am looking for better ways to automate this process. When I search the Internet for software to convert PowerPoint to video, I find mostly Windows software. I know we have ADE licenses for Impatica for PowerPoint, although it converts PowerPoint into web pages - I do not see a video option.
I also downloaded a new product called LecShare Pro (with a Mac version!) which converts PowerPoint slide shows into these different formats: QuickTime, MPEG-4, Accessible HTML, Microsoft Word, audio only. Last night, I took the audio from the 45 minute keynote from a session that I did in Hong Kong in March, synchronized the audio clip with the slides and converted the whole thing into several formats. Since I have not registered the software ($69), there is a watermark on all of the slides, but it shows what is possible. The audio is also not compressed in the trial version, so the file is really too large to post on the Internet. But the process of synchronizing the audio to the slides was fairly straightforward, once I got started. The software worked directly with PowerPoint, but was pretty slow opening and saving files.
The software also allows recording audio directly, slide by slide, into a file. This option might work very nicely with ePortfolios created in PowerPoint. Students could do audio reflections on their portfolios with this tool, then convert them for either WWW, DVD or CD publishing.
I am looking for more Macintosh software that will help me take my audio clips and my slides, and put them together into different output formats.
Friday, May 11, 2007
Call completed
Thursday, May 10, 2007
First VideoFunet conference in Finland
Technology on the High Seas
For the last 10 days, I have been on a cruise, from Ft. Lauderdale to Seattle (yes, through the Panama Canal... it was incredible). The technology for supporting the virtual presentation above has been a challenge. I tried three times to create a DVD in PAL format. For some reason, iDVD kept freezing, so I compressed the video with the best quality and uploaded a 1.6 GB MOV file to my server.
I also sent a data DVD to the conference organizers before I left. The conference presentation is actually in Finland on Friday afternoon (early morning for me, off the coast of Mexico between Acapulco and Cabo San Lucas). I had a challenging time getting the right telephone number to receive a phone call in my room (and I'm still not sure of exact GMT). So, if I get a phone call, that will work. Otherwise, I am inviting any conference participants to either send me an email with their questions or post a comment to this blog entry.
Why not use Skype? Because the cruise line blocks all voice connections over Skype, they say because of bandwidth issues. Their Internet access is by satellite. Also, my Internet access costs me 25 cents per minute. I bought a plan for 500 minutes when I got on the ship the day I arrived. That has worked OK for eMail and the occasional travel blog entry. I am averaging a half hour a day. At one port, I was able to get Internet access for $6/hour, and was able to have a Skype conversation with my daughter in Budapest.
On my Mediterranean cruise last year, I used iWeb for my 2006 travel blog. I had a lot of trouble with uploading the files to my .Mac account over the slow satellite connection. This year I am not taking as many pictures or any shore excursions, so I decided to take a simpler approach, setting up another Blogger blog. I do have two hours of video of the day we crossed the Panama Canal. Some of it is as interesting as watching paint dry (or water raise up by gravity feed, or lock gates open/close), but I should be able to edit it down to the key scenes.
Friday, April 13, 2007
AERA Conference
There were more than 46 portfolio papers in 10 different sessions at AERA, primarily focused on reflection and teacher education, and some valuable additions to the literature. I was also discussant at a session on Teacher Education portfolios. My REFLECT study in K12 schools is certainly unique, although there are some studies that are being conducted in England that will provide more knowledge about the widespread implementation of ePortfolios in schools. As the final 24 questions for students and teachers in our REFLECT data collection, I am using those that were also used in the study conducted by Elizabeth Hartnell-Young in a study sponsored last winter by BECTA (British Educational Computing & Telecommunications Agency). I spent over a week with Liz in Hong Kong and Australia in March, and talked with her about her research (and also launched her new book, which I discussed earlier in this blog). All of my experiences over the last two months of traveling have led me to think more deeply about the REFLECT study.
Wednesday, April 04, 2007
Bucklands Beach School
Wednesday, March 28, 2007
ePortfolio New Zealand
There were a lot of K-12 teachers attending this conference. What I heard from the closing session of this conference was the general theme that the ePortfolio was really a personal learning space. I agree with that perspective. It really puts the ePortfolio into a perspective.
New web pages
- Creating ePortfolios with Web 2.0 tools -- Consolidating some of my explorations with Web 2.0 tools
- "Telling My Story" -- Audio Clips I have collected at different EIFEL ePortfolio Conferences
Sunday, March 25, 2007
Launching a new Book in Melbourne
I am delighted to launch the second edition of the book Digital Portfolios written by Elizabeth Hartnell-Young and Maureen Morriss, published by Corwin Press. I bought their earlier edition when it first came out, and quoted from it extensively, since it was the first book that was published on this topic. Beginning with the introduction by Barbara Cambridge, the entire book provides an overview of the process of constructing a digital professional portfolio, including some very useful tools. I especially appreciate the permission form and evaluation rubrics provided, with permission to duplicate them provided to purchasers of the book.
The authors have provided an overview of the many issues that can arise from the multiple purposes for developing electronic portfolios. I especially liked the following quote:
While these are legitimate uses for portfolios, when teachers perceive that accountability is viewed as more important than their knowledge and expertise, they can become cynical, and their portfolios tend to be heavy with documentation but light on passion. (p.8)With portfolios being used in many sectors of education and for both summative and formative assessment, it is important to emphasize the elements that contribute to professional growth. This book provides a framework for professional educators to document their growth, maintaining the emotional engagement that gives meaning to the process. Their highlights on vision and knowing oneself provides further emphasis on using portfolios to support learning, not formatting or data.
By capturing the experience of the learning journey, reflecting on its meaning over time, and sharing the learning with others, teachers develop new insights and understanding. (p.27)The book also emphasized the importance of building a personal archive of work (with references to the Cohn & Hibbits article on Lifetime Personal Web Space). The book also provides a focus and guide to reflection. One chapter provides ten practical steps in creating a digital portfolio, beginning with a quote from one of my articles:
A portfolio that is truly a story of learning is owned by the learner, structured by the learner, and told in the learner's own voice. (p.39)A key component of the philosophy in this book is that teachers not only prepare a digital portfolio to help develop their own technology competency while reflecting on their own growth over time, they can also use this opportunity to model the portfolio development process for their students. "By presenting portfolios to various audiences, teachers learn the skills they need to develop with their students." (p.64) I couldn't agree more. A teacher with a digital portfolio is more likely to have students who have digital portfolios. This book's philosophy, that portfolio development is a process of professional growth (p.72), should be valued as a process to support educational reform. The emphasis on process (means) over product (ends).
A fundamental principle of this book is that educators grow professionally as a result of producing a digital portfolio. They become producers as well as consumers of technology, enabling them to become more confident about using it in their daily work. They learn more about using the World Wide Web for teaching, research and for communicating with a global audience. This transfer of knowledge and skills will benefit not only themselves but their students, colleagues, and community. But more fundamentally, educators can show evidence of their deep learning...(p.78)Last weekend, when I told my daughter that I was launching a book on ePortfolios, she asked me when I was going to write my own book. I responded that I had a website and a blog. But when I read Elizabeth and Maureen';s book, I said that I really agreed with what they had to say, so I really didn't need to write a book. But that may change. In the meantime, I highly recommend this new version of Elizabeth and Maureen's book.
Tuesday, March 20, 2007
Hong Kong Conference
This is the first stop on the Asia ePortfolio Trilogy tour. A group of about 40 Hong Kong educators gathered for the first ePortfolio conference in Hong Kong. I am really excited about what I see happening here, and the level of interest, despite the low level of attendance. There is now a policy in Hong Kong for all secondary students to develop a Student Learning Profile, which can have a variety of formats; one of those could be an ePortfolio. So there will be a lot of exciting developments happening in Hong Kong over the next few years.
Monday, March 19, 2007
K-12 Student Portfolio
Friday, March 16, 2007
Workshop in Japan
The participants were very actively engaged in both yesterday afternoon's workshop, which was mostly lecture, and today's full day workshop, which was very hands-on and participatory. We had simultaneous translation, which I had only experienced a year ago in Italy, where it was all a lecture format. At least today, that was a lot of experiential learning going on. I learned one thing: only use the Firefox browser when using GoogleDocs. Internet Explorer for Windows did not work well.
I am most impressed by how well I was taken care of while I was here. I was met at the airport and escorted to my hotel, where I had my first dinner. Every day, I was escorted to their offices or to where I needed to be for the workshops. Tomorrow, I will be escorted on the train back to the airport for my flight to Hong Kong. The taxicabs were immaculate, with white covers on the seats. My hotel had free wifi and free breakfast. Our lunches were catered in beautiful boxes. I had no idea about everything I was eating, but it was all very good. As my first trip to Japan, it was very impressive!
Two Political Statements
I came across these two websites on one of my listservs. This isn't a political blog but I just couldn't resist adding them here:
It's not on the Test: Here's a new song about school testing that Tom Chapin wrote. It helped usher in the New Year on National Public Radio, appearing on "Morning Edition" on January 1, 2007.
Enjoy!
Friday, March 09, 2007
Identity Production and Online Portfolios
The dynamics of identity production play out visibly on MySpace. Profiles are digital bodies, public displays of identity where people can explore impression management [2]. Because the digital world requires people to write themselves into being [3], profiles provide an opportunity to craft the intended expression through language, imagery and media....A colleague of mine completed a dissertation a year ago, where she studied the implementation of electronic portfolios created using very different tools in two different Teacher Education programs. In one university, the students were taught to use a free web page editing tool (Composer) and were encouraged to individualize their portfolios. That university had developed a separate assessment management system to collect and manage the accountability data, which was not very obvious to the students. In the second university, the students were forced to purchase an account for 4-to-6 years in one of the commercial systems, and were provided with highly prescriptive assignments in a system "specifically designed to impose uniformity on the portfolio task." My colleague is presenting a case study at the SITE conference about the frustrations of a student in that second university, who was an experienced MySpace user, and used that experience to customize her portfolio, despite the constraints of the system.
What we're seeing right now is a cultural shift due to the introduction of a new medium and the emergence of greater restrictions on youth mobility and access. The long-term implications of this are unclear. Regardless of what will come, youth are doing what they've always done - repurposing new mediums in order to learn about social culture.
Technology will have an effect because the underlying architecture and the opportunities afforded are fundamentally different. But youth will continue to work out identity issues, hang out and create spaces that are their own, regardless of what technologies are available.
In one of my more recent blog entries, I shared an email from an educator who indicated that she was looking for a portfolio system that would allow students to individualize their portfolios (among other criteria). She also wanted it to be interactive, to support multimedia, to be secure, to allow assessment, and to be portable (i.e. students can take it with them when they leave). When a tool is developed, the tool developers have to prioritize their development efforts, to provide the most important tools that their clients say they need. That's why most of the ePortfolio tool developers have created very good assessment management systems, that collect data that institutions need for accountability and summative assessment. But in the order of priority, the needs of the learner, for an environment where they can express their own individuality through their portfolios, is often left on the "wish list" for future development (or not even considered).
In my opinion, this situation is the result of programmers and technology experts developing what they think is an efficient system for collecting this data, not a tool that facilitates individuality and creativity. Perhaps the technicians don't recognize the psychological need for adolescents (and post-adolescents) to establish a unique identity, both face-to-face and online. In my current research, I am finding that MySpace is so popular because it encourages and enables individuality and creativity in addition to the social networking that also drives that system.
In my review of the many tools out there, I found that there were many tradeoffs between usability and creativity, qualities that I think are very important to maintain student engagement. To their credit, the better commercial ePortfolio providers are addressing these usability issues as they continuously modify their software. But it is a challenge to balance competing priorities with limited resources.